Essay
Rediscovering Daniel Pommereulle
On one of the French New Wave’s lesser-known screen dandies.
On one of the French New Wave’s lesser-known screen dandies.
Le Bonheur (1965) Essay [wpbb post:title] By Annabel Brady-Brown On the subversive pleasures of Agnès Varda’s Le Bonheur. Le Bonheur plays at Metrograph as part of Visionary Auteurs: Five Decades of mk2 from Friday, June 14. For those who only associate Agnès Varda with the image of the sweet, cuddly, meme-ready grandmother that she cannily…